Syria will always remain vivid and hospitable

ST

Eva Zu Beck is not one of the journalists who regularly visits Syria to make a video or write an article about the war for their mainstream media outlets.

Saturday, 28 September 2019

She simply identified herself as a vlogger and was clear that her two-part video about her visit to Syria titled “What’s It Like to Be a Tourist in ALEPPO/Damascus in 2019?” is not meant to be “a political commentary.”

The polish young woman decided to listen to her deep thoughts and follow her hunch that “there are extraordinary adventures just outside her doorstep.” So, the number of views her reports might get is less important than the experience she will get.

As a tourist, Eva visited a country listed as one of top 10 most dangerous countries according to the 2019 Global Peace Index (GPI) report. Syria is now the second least peaceful city in the world to replace Afghanistan, which is now the least peaceful country. Is it a coincidence that the sovereignty of the two countries has been violated by the US troops and foreign extremist fighters who came from all over the world under the pretext of liberating people?

The 2nd-millennium BC old city of Aleppo competes with the 3rd-millennium BC old city of Damascus as being the oldest inhabited urban city in the world.

Refugees, IDPs, bombings, hell cannons, death toll, barrel bombs, etc. were, unfortunately, the front-page story of any news on Syria including the governorates of Aleppo and Damascus.  Her two short feature videos on Damascus and Aleppo showed the opposite while the beneficiaries of the continuation of the war want to keep a distorted black image about Syria for their political and personal interests.

Her journey to Damascus and Aleppo – the two UNESCO World Heritage Sites – was planned without forming prior expectations based on the stereotype ideas disseminated in the western-oriented media.

Eva first went to the old city of Damascus. She discovered a colourful and vibrant city and met very hospitable people who greeted her warmly in the streets. Later on, she headed to the city of Aleppo, freely toured the streets and enjoyed the traditional food like al-Malban (a jelly-like substance made of grapes with walnuts inside) and the city’s handmade ice cream – No surprise that she enjoyed the food there as Aleppo cuisine is the most famous and distinctive among other Middle Eastern cuisines. Some say that its sweet and sour flavour is a combination of conquest and Silk Road trade.

She saw first-hand the people of Aleppo’s determination to rebuild their own city and she was astonished by their resilience. It is undeniable that the people of Aleppo and all-around Syria suffered and have been suffering from the repercussions of war. They have experienced destitution, lost beloved ones and missed things used to be taken for granted before the crisis like water, electricity, food, safety, etc. The war has never been kind to anyone before including the Syrians.

However, the people of Aleppo did not wait for the world to come and help them rebuild their city and country, although there were many parties involved that were willing to turn them against each other and reignite the Syrian crisis. However these very same parties were not ready to provide the necessary support for rebuilding.

Due to Syria’s privileged position on the Mediterranean Sea and its natural resources, many invaders showed great interest in controlling it. Every Syrian city, town and village were not spared from invasions. For instance, the silk-road old city was invaded by Alexander the Great, Hulagu Khan, Mongol Tamburlaine, the Ottomans, and the French occupation. History also referred to a devastating 8.5-magnitude earthquake that completely destroyed most of Aleppo in 1138. But here we are, and like their predecessors, the people of Aleppo were able to re-emerge.

This video is an example of how to be a human and not to turn a blind eye to any effort, even if it is modest.

Eva managed to look at the half full cup and managed to reach all sides away from politics. Come and visit Syria and see for yourself.

 

D.A

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Upside down or right side up? Comparing Chinese vs. Western civilizational hierarchies.

Upside down or right side up? Comparing Chinese vs. Western civilizational hierarchies.

By: Jeff J. Brown for The Saker Blog

 

Crosslinked with:

https://chinarising.puntopress.com/2019/08/14/upside-down-or-right-side-up-comparing-chinese-vs-western-civilizational-hierarchies-china-rising-radio-sinoland-190814/

https://youtu.be/rYmvCRQBybk

https://soundcloud.com/44-days/upside-down-or-right-side-up-comparing-chinese-vs-western-civilizational-hierarchies

 

A screenshot of a cell phone

Description automatically generated

Pictured above: no wonder Chinese and Westerners don’t understand each other. They look at the world and their societies with diametrically opposed points of view. It’s like two peoples staring at each other through the opposite ends of a telescope. Everything is distorted. To paraphrase the great American poet Robert Frost, “And that my friends, makes all the difference”.

Note before starting: if you have not already done so, reading/listening to/watching my two recent posts comparing Chinese and Western governance will make this one much more meaningful (https://chinarising.puntopress.com/2019/07/30/why-are-western-leaders-gawd-awful-bad-and-chinas-so-darn-competent-part-i-china-rising-radio-sinoland-190730/ and https://chinarising.puntopress.com/2019/08/07/why-are-western-leaders-gawd-awful-bad-and-chinas-so-darn-competent%ef%bc%9fpart-ii-china-rising-radio-sinoland-190807/).

Westerners can live and work in China for years and not see the obvious. I should know, since I was one of them. We occidentals are so brainwashed from birth, at home, in school, by government, media and advertising of our moral superiority over all those “other” dark skinned kinda-sorta people, that it’s easy to not see the trees in the proverbial forest of life. This is how I was, when living here from 1990-1997. Even after living and working for 21 years outside the US, mostly in Africa, Middle East and China, I was still blinded by my racism of Western cultural and moral superiority, a liberaloid do-gooder, wrapped up in identity politics, thinking I was better than most of my less cosmopolitan countrymen – sad to say – and I wasn’t much better. It was not until we came back to China in 2010 that the scales of racism finally fell from my eyes. This painful and humbling, but ultimately liberating experience is tracked through the three books of The China Trilogy (see below).

Looking at the above comparative chart and going back to the times of the Ancient Greeks, the quintessential Marlboro Man has been the fixture of Western civilization. Me, myself and I, free and unfettered, independent and on one’s own, to decide one’s destiny. Being an adventurer and warrior/gunslinger also fits the bill. Greek tales like Jason and the Argonauts, Iliad and the Odyssey and the swashbuckling myths of the deities slaughtering monsters (today’s inferior Dreaded Others) all extol the virtues of Solo Man.

Family comes next and even that is often contested and dysfunctional in the West. Help out a family member? Maybe, maybe not. It seems like every Western family I’ve ever gotten to know well, starting with mine, is rife with communication and contact between members cut off. Individual peeves and grudges trump trying to keep the family intact.

Working our way down this civilizational hierarchy, support for the neighborhood, city, province and country can happen, but frequently on “my terms” and “not in my backyard”. How dare you encroach on my freedoms! This, while citizens can be easily brainwashed with God and the flag, to fight in endless wars for rape, resources and plunder, with the price over the long term eventually being societal collapse.

For millennia, at the bottom of the Western shit heap is the government and leaders. You can’t blame Euranglolanders for not trusting or respecting their governments, since they usually act like gangsters stealing from the 99%, while sending the latter to die likes dogs in wars of expansion, exploitation and extraction, all to enrich their elite 1% masters. Organized criminals posing as leaders and governments masking cartels is standard operating procedure. It’s happening while I write.

Yet, in spite of all the pitfalls, it’s easy to see why the Western hierarchy of Solo Man is so intoxicating and flattering. What could be more important than… ME! One’s horizon in life is simplified. Me, myself and I concentrate the need and take complexity and nuance out of the equation. Life become linear, point A to point B. I’ll do whatever the hell I want, Bubba. Get back Jojo, it’s my space. Get outta of my way, this is MY lane! A friend in need is fucked indeed. What’s in it for me? The world is my oyster. Of course, I should be able wear a gun around town to protect myself. I’ve got individual rights. Ayn Rand’s “rational self-interest”. Gordon Gekko’s greed is not just good, greed is God. What’s mine is mine and what’s yours in mine, so you’re screwed. Might and treachery make right. Finders keepers losers weepers. Laissez-faire, bay-bee. Dog eat dog, the big dominate the little, the rich steal from the poor. Being entertained and amused becomes paramount. Mass production and super-consumption are in. More, more, more. Making personal sacrifices is decidedly uncool, as is delayed gratification. It is easy to see why the Western paradigm of Marlboro Man dovetails so perfectly with capitalism, neoliberalism and colonialism.

Now, in China, flip the West’s social hierarchy upside down. Suddenly, you are no longer Mr. and Mrs. Me. Welcome to being at the very bottom of civilization’s needs. Look up and your life is no longer simple and linear, but complex and elliptical – a tapestry of interconnections and expectations. Just in the family alone, Mom’s, Dad’s and Grandparents’ needs trump yours. Older relatives too. What’s mine is also my family’s. If you slack off, then how is the family supposed to help take care of the neighborhood? We all want to live in a nice town/city, don’t we, and you’re the start. Daily life becomes very intricate, cyclical and circular, giving and taking. This is not my lane, but everyone else’s too. Since life is so interwoven and interdependent, solidarity in helping others becomes the ideal. Suddenly, social harmony and peaceful coexistence are everything. You mean I have to share? I have many responsibilities to my community and country? You mean I should help the government and our leaders to work effectively, and keep the nation intact and prosperous? You bet your stinky tofu, you do.

It’s easy to see that being a Chinese citizen is a much bigger daily responsibility and the expectations of the many over the wants of the individual are so much greater than in Western civilization. Euranglolanders often feel superior over Chinese families, when they see young children here being loud, boisterous and spoiled rotten. They are for a few years. It’s the one time in their lives when they get to enjoy some of that Solo Man Me, Myself and I, because by the time they get first grade in school, China’s civilizational hierarchy starts to kick in and the expectations of everyone around them begin to weigh on their societal shoulders. For five or six years, they get to run wild a little bit, now it’s time to knuckle down and take their place on the bottom rung of the ladder.

Since you are on the hook for family, the country’s leaders and government, attributes like frugality and delayed gratification become the ideal. No wonder the Chinese have the highest savings rate of any large economy in the world. Even though buying personal gizmos and luxuries has never been higher, and Baba Beijing is exhorting the masses to consume more, to counteract the US’s tariff trade war, China’s savings rate is still 46% (https://www.ceicdata.com/en/indicator/china/gross-savings-rate). This compares to Americans’ 17% (https://www.ceicdata.com/en/indicator/united-states/gross-savings-rate).

All in the family. Since everybody collectively is more important than you, is it any wonder that China is a communist-socialist civilization and always has been?

It goes without saying that the two above portrayed hierarchies are meant to be painted black and white, to show the overarching contrast. Of course, there are generous, giving Westerners who believe in social solidarity and economic justice. As well, there are Chinese who are selfish, greedy and heartless. Yes, there are family feuds and estranged relatives. That’s not the point. The point is the diametrically opposed societal expectations and ideals that are held up for inspiration and guidance. In the West, it’s all about individualism and personal freedom. In China, it’s all about Mom, Dad, the mayor, governor, prime minister and president who come first.

And that, my friends, makes all the difference. The imperial West shattered China’s civilizational hierarchy for 110 years, when it flooded the country with opium, morphine and heroin, 1839-1949, and was able to rape and plunder the people with lustful abandon. Since communist liberation in 1949, China’s social hierarchy has been restored. Look at the comparative table at the beginning of this article one more time and ask yourself, Which country is going to succeed and prosper on the world stage, into the 22nd century?

I’ll give you three guesses and the first two don’t count.

Key words:

China, Racism, Culture, Ancient Greece, Marlboro Man, Individualism, Solidarity, Brainwash, Me Myself and I, 99%, 1%, Eurangloland, War, Ayn Rand, Gordon Gekko

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Bio: Jeff J. Brown is a geopolitical analyst, journalist, lecturer and the author of The China Trilogy. It consists of 44 Days Backpacking in China – The Middle Kingdom in the 21st Century, with the United States, Europe and the Fate of the World in Its Looking Glass (2013); Punto Press released China Rising – Capitalist Roads, Socialist Destinations (2016); and for Badak Merah, Jeff authored China Is Communist, Dammit! – Dawn of the Red Dynasty(2017). As well, he published a textbook, Doctor WriteRead’s Treasure Trove to Great English (2015). Jeff is a Senior Editor & China Correspondent for The Greanville Post, where he keeps a column, Dispatch from Beijing and is a Global Opinion Leader at 21st Century. He also writes a column for The Saker, called the Moscow-Beijing Express. Jeff writes, interviews and podcasts on his own program, China Rising Radio Sinoland, which is also available on YouTubeSoundCloudStitcher RadioiTunes, Ivoox and RUvid. Guests have included Ramsey ClarkJames BradleyMoti NissaniGodfree RobertsHiroyuki HamadaThe Saker, and many others.

Jeff can be reached at China Risingjeff@brownlanglois.comFacebookTwitter, Wechat (Jeff_Brown-44_Days) and Whatsapp: +86-13823544196.

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Creative Commons: This article by Jeff J. Brown is available for re-publication free of charge under Creative Commons. It may be translated into any language and republished anywhere in the world. Editing is permitted of the article(s). You may edit my article(s) and bio to correct spelling, grammar, word usage and any misstatement of facts.

You may change any wording that may be culturally offensive or inappropriate to the reading audience. You may change the title of my article(s) and you may edit them to fit the desired space and word length preferred by your publication.

If you edit and publish my article(s) the only request is that the intended meaning in my article(s) not be changed or taken out of context. You may use the suggested graphics, which to the best of my knowledge are available free under Creative Commons, but I cannot guarantee that they may be used without the permission of their creator and/or owner. You may select your own choice of graphics, pictures and /and or videos (or none) that complement the intended meaning of my article. Please share and distribute this article widely. My contact email is jeff@brownlanglois.com.

Bamiyan, Babylon, Palmyra, Notre-Dame

April 16, 2019

Bamiyan, Babylon, Palmyra, Notre-Dame

by Pepe Escobar for The Saker Blog

The Bamiyan Buddhas were destroyed by an intolerant sect pretending to follow Islam. Buddhism all across Asia grieved. The West hardly paid attention.

The remaining ruins of Babylon, and the attached museum, were occupied, plundered and vandalized by a US Marine base during Shock and Awe in 2003. The West paid no attention.

Vast tracts of Palmyra – a legendary Silk Road oasis – were destroyed by another intolerant sect pretending to follow Islam with their backs covered by layers of Western “intelligence”. The West paid no attention.

Scores of Catholic and Orthodox churches in Syria were burnt to the ground by the same intolerant sect pretending to follow Islam with their backs sponsored and weaponized, among others, by the US, Britain and France. The West paid no attention whatsoever.

Notre-Dame, which in many ways can be construed as the Matrix of the West, is partially consumed by a theoretically blind fire.

Especially the roof; hundreds of oak beams, some dating back to the 13th century. Metaphorically, this could be interpreted as the burning of the roof over the West’s collective heads.

Bad karma? Finally?

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Now back to the nitty-gritty.

Notre-Dame belongs to the French state, which had been paying little to no attention to a gothic jewel that traversed eight centuries.

Fragments of arcades, chimeras, reliefs, gargoyles were always falling to the ground and kept in an improvised deposit in the back of the cathedral.

Only last year Notre-Dame got a check for 2 million euros to restore the spire – which burned to the ground yesterday.

To restore the whole cathedral would have cost 150 million euros, according to the top world expert on Notre-Dame, who happens to be an American, Andrew Tallon.

Recently, the custodians of the cathedral and the French state were actually at war.

The French state was making at least 4 million euros a year, charging tourists to enter the Twin (Bell) Towers but putting back only 2 million euros for the maintenance of Notre-Dame.

The rector of Notre-Dame refused to charge for a ticket to enter the cathedral – as it happens, for example, at the Duomo in Milan.

Notre-Dame basically survives on donations – which pay the salaries of only 70 employees who need not only to supervise the masses of tourists but also to organize eight masses a day.

The French state’s proposal to minimize the ordeal; organize a beneficent lottery. That is; privatize what is a state commitment and obligation.

So yes: Sarkozy and Macron, their whole administrations, are directly and indirectly responsible for the fire.

Now comes the Notre-Dame of Billionaires.

Pinault (Gucci, St. Laurent) pledged 100 million euros from his personal fortune for the restoration. Arnault (Louis Vuitton Moet Hennessy) doubled down, pledging 200 million euros.

So why not privatize this damn fine piece of real estate – disaster capitalism-style? Welcome to Notre-Dame luxury condo, hotel and attached mall.

Sins without Recourse, Beast without Remorse

October 26, 2018

by Norman Ball for The Saker Blog

“[W]e, as serious people, cannot examine the concrete problems that are thrown when the Russian Federation is accused of all mortal sins without recourse to the processes (norms) created for similar cases,” –from Russian Foreign Minister Sergey Lavrov’s October 18th interview with RT France.

Russia labors under a West-imposed Original Sin that can obtain dispensation only with the former’s existential cessation. The root of this Sin is the root itself. Russia is Russia, after all. That cannot be rectified.

In light of this dead-stop, what can only be called an apriori –and fatal– naivete pervades much of the prescriptive analysis we read every day. If Putin would only hop or jump or swagger or dance (it differs from one sage to the next) then, we are assured, the properly calibrated gesture would elicit a jackpot of redemptive good will. Godot would pop over the horizon. The crisis would defuse.

Alas, this is an all-too-human read which, while perhaps befitting of a bygone era, falls short of the present moment’s activated spiritual Principalities.

Speaking of Godot, from the same interview that prefaces this essay, Lavrov resigns himself to a “serious, professional and non-propagandistic” discussion at some later time when the current “outbreak of political rage” abates. Whether or not he believes a terrestrial conclusion will arrive in time, we cannot know. He’s a poet. Is he a Christian? Lavrov, ever the consummate diplomat, is nonetheless obliged to sound the proper notes.

It remained for his boss, on the same day, to access otherworldly coordinates with the most astonishing rhetoric (Radio Free Europe called it, “more biblical than technical”) at a Sochi forum:

Putin is making the remarkable admission that if no honorable approach for Russia remains for recovering a constructive relationship with the West (and since crawling along a contritious path is out of the question), Heaven (or Hell) beckons in the wings for all parties.

For such a circumspect statesman to openly confess to The City of Man’s limitations in world affairs, and allow that God may have to sort it out on the other side, well, that’s a foreboding milestone. One shudders at what information he’s privy to as to warrant such a fatalistic statement of principle. Has the geopolitical tether truly run out?

Archetypes are the prefatory hoops through which all actions spring. With understandable forbearance (some armchair warriors would say belatedness), Putin has finally seized his end of the archetype of the apocalypse. (The gauntlet’s been lying on the ground for some time now; see the late Edward Edinger’s 2002 book of the same name). Nor can an utterances of this sort be retracted by secular communique. There it sits, in the global square, a white-hot psychic ember that must now be contended with.

My fellow prognosticators, this is not our parents’ geopolitics.

Know thy enemy. The snake never alters its stripes, though the prevailing terrain can at times abet its pattern. Like a boa constrictor, the implacable machine (Sartre) always awaits relaxation in its prey as a prelude to further tightening. Demonic eschatology continually splits the distance until it capitulates spasmodically within the claustrophobic space of the capstone. The pyramid is a progressively constricting geometry. There is no placating it. The Beast is an insistent geometric construct.

So it’s a form of madness to continually bemoan the rude particulars of the Beast’s blueprint. Would you kick a car for not being an airplane? The implacability is born of usury, an arithmetic pyramid that must have everything for itself.  Debt-money, eternally ravenous, is cursed to roam the earth paying its keep every minute of every day.

Don’t blame the debt-masters. Pity them. They’re the Machine’s most abject slaves. Witness their propensity for throwing themselves off buildings as a measure of unquenchable Babelian despair:

Master, come to my assistance!
Wrong I was in calling
Spirits, I avow,
For I find them galling,
Cannot rule them now.

–from The Sorceror’s Apprentice, Johann Goethe (tr. Paul Dyrsen)

What Russians must do, and admittedly it’s a problem, is to get out the way of their own country or else prostate themselves atop it. Andrei Fursov outlines the elite’s long-term interest in ‘Northern Eurasia’ (what amounts to Russia), as a post-apocalyptic, resource-rich life raft; what MacKinder might have called, the Heartland of the Heartland.

Mephistopheles comes by way of Sergie ‘the Snake’ Kudrin and his borrowed, if not outright mutinous, prescription.  (Scott Humor translates here):

“Therefore, today Russia’s foreign policy should be subordinated to the reduction of tension in our relations with other countries, and, at least, to the preservation or reduction of the sanctions regime, not to the build-up. Today I would measure the effectiveness of our foreign policy on this indicator.”

Of course selective subordination (of the foreign policy portfolio only) is tantamount to total capitulation further along. Ruslan Ostashko asks the obvious question rhetorically of Kudrin: “What will prevent the West from reinstating these sanctions back, after we make all those changes?” Well yes, what precedent –and please venture beyond Gorbachev’s unilateral dumping of the Brezhnev Doctrine for examples if you must– would compel anyone to think reciprocal accommodations ever arrive?

Anthropomorphic daydreams can never take the measure of the Beast. Left to themselves, human beings rest, commiserate, empathize and trade amicably among themselves with an innate sense of proportionality and fairness. The trouble is Paul’s Principalities, good and evil, never leave us to ourselves. Moreover these forces are vaulting increasingly to the fore as even Putin’s off-world meanderings reveal.

Faustian bargains are the West’s own jealous poison, thank you very much Mr. Kudrin. As such, they’re forever withheld from authentic Russian ingestion. Find your own poison in your own time, we might say, one civilization to another. To jump the tracks for ours would be a form of neo-Petrinism (manifested, in the present era, by doting Atlanticists like, well, Kudrin. Oswald Spengler would recognize him as Petrinism’s “artificial product made of stubborn material”.)

Spengler, more poet than historian, offers the penetrating eye of the stranger. His prescience for the Russian destiny is paraphrased by Kerry Bolton here:

The Russian soul is not the same as the Western Faustian, as Spengler called it, the ‘Magian’ of the Arabian civilization, or the Classical of the Hellenes and Romans. The Western Culture that was imposed on Russia by Peter the Great, what Spengler called Petrinism, is a veneer…The Russian soul expresses its own type of infinity, albeit not that of the Westerner’s Faustian soul, which becomes enslaved by its own technics at the end of its life-cycle.”

Many of those ‘technics’ fall under what Spengler called “money-thinking”. At the twilight of its life-cycle the West threatens to withhold its toxicity from all those who don’t ‘play fair’, plying its financial sanctions like an overused tool-set: fractional reserve banking, impudent debt-money that arrives ex nihilo seeking its keep from God-knows-where, leverage that belabors ever-narrowing denominators of intrinsic value.

When the Beast cannot steal, its existing purloined cache is re-leveraged, pacing frenetically until it can steal again. Somewhere in the bowels of the NY Fed behind iron-clad doors, guarded by an ogre, sits a Leverage Machine, Chartered Accountant to the Beast. The lights are flashing red. How do we know this? Because the 24/7 Russian Demonization Campaign tells us so. The manically repetitive narrative is an audio loop cued to the red-lit console.

The West’s sanctions subtract from its own beleaguered base. The ‘cure’, ever more green-fields, serves only to postpone the patient’s demise. The demands are satanic and mutually self-negating:  If you don’t bleed like me, I promise I will kill you.

The various sanctions regimes harbor no rapprochements and coax no favored outcomes. They are nihilistic in spirit and anti-Christian by design. Spengler spoke of Russia’s peculiar historic mission. Could that mission be Armageddon itself?

The stakes, as we like to say, are incalculably high. The potential recoil, fatal. But then, People of the Book already know this.

Might the intelligence complex incite WW3 as a diversionary alternative to exposure and dismantlement? That’s a reasonable bet. After all, where on this planet today are rumors of wars not breaking out in earnest?

There’s a well-ensconced clique on the planet that views WW3 as the crucial next step. Putin seems to have joined them. In lieu of elaborate WMD contexts perpetrated on a sanguine populace, war planners might prefer a war that’s over almost before it starts. Inhuman velocity curtails the need for consensus-building.

NATO’s provocations are endless. However conventional force border-posturing is simply the aperitif. Nuclear escalation will occur with lightning speed.

In his grim but essential work, Eric Zuesse speaks to the current provocations in Ukraine and its Donbass region and the toss-up potential of a nuclear first strike being strategically ‘rationalized’ and perpetrated by either the Americans or the Russians. How perilous and frightening is that? Both sides are strategically obliged go nuclear first, although Putin seemed to remove a Russian first-strike from the table last week, a very noble and statesman-like assertion, to be sure. Who fully understands the dynamic between he and his Defense Minister? Sergei Shoigu might, on strictly military grounds, beg to differ.

Here’s Zuesse:

“Either way would likely produce from Russia a nuclear blitz-attack to eliminate as many of America’s retaliatory weapons as possible, so as to beat the US to the punch. In military terms, the side that suffers the less damage ‘wins’, even if it’s a nuclear war that destroys the planet. The side that would strike first in a nuclear war would almost certainly suffer the less damage, because most of the opponent’s retaliatory weaponry would be destroyed in that attack. Trump is playing nuclear “chicken” against Putin.”

Nuclear Primacy had been America’s post-MAD doctrine since 2006. (Here are the same two idiot-savants, Drs. Keir Lieber and Daryl Press, on paper, proving once and for all that intelligence is a circle.) The Russian nuclear detection system is horribly antiquated and, in an effort to tamp down the reigning madness, US officials are talking naval blockades and preemptive first strikes. Language is always the first bullet fired. America’s nuclear arsenal is to be upgraded over the next thirty years at an estimated cost of $1.2 trillion (October 2017 CBO report).

Paranoid much? You’d have to be a fool not to be. In fact you’d have to be an irreligious fool not to think thermonuclear exchange isn’t poised to occur in some demented parody of well-considered premeditation and forethought.

It’s the midnight after midnight and Doomsday’s tired of walking around the block. The Beast wants Russia either polishing boots in Basel or moving its Orthodox frontage to Mars. There is no middle ground. There is no dialectical accommodation. People are a temporary impediment to the wealth beneath their feet. Bankers eat birthrights for breakfast.

The inestimable trove of raw goodies under Eurasia must be secured or else the leverage-cubed that’s holding up the leverage-squared is going to collapse in a calamitous heap of non-real numbers and exhausted exponentiality.

Before he exited Stratfor, some say for a surfeit of candor, George Friedman laid out the last hundred-years of the game-plan. Mind you (and our German friends too), it’s nothing personal. It’s primordial, which is to say, quite equally of the future, an ‘interest’ that will not abate.

As Shiekh Iman Hosein insists, the repatriation of Crimea represents a huge and rare setback for the Beast’s cordon sanitaire strategy of containment (constriction?) Sixteenth-century Rabbi Elijah ben Shlomo Zalman (popularly known as the Vilna Gaon) acknowledged much the same:

“When you hear that the Russians have captured the city of Crimea, the ‘Times of the Messiah’ have started, that his steps are being heard”

There are not enough dimension frankly to deploy the appropriate chess game. But then we’re not in a chess game. We’re in an end-game. Finesse is an Enlightenment affectation. In a kingdom of hammers the adroit tactician is just another nail.

So enough please of rehabilitative measures, improved behaviors and well-considered countermeasures. No behavior under the sun will do until nuclear winter blots the sun from the sky. We’ve been staring down the barrel of Oppenheimer’s Shiva ever since some vanguard of Molochian butt-worshippers decided there’s life for them on the back-end of nihilistic cessation.

There is a war on against what Spengler termed, “the world-historical fact of Russia itself”. Putin seems finally to have risen to the existential occasion.

The Woman Who Raised Heroes

Hussein Samawarchi

This is, by far, one of the most eventful weeks for the media this year. The ongoing discussions of the speeches made at the United Nations shook the world of news analysts with praise for leaders like Presidents Hasan Rouhani [Iran] and Michel Aoun [Lebanon], and, mockery for substandard performers like [“Israeli” Prime Minister Benjamin] Netanyahu and [US President Donald] Trump. There was also the mystery roaming around the Khashoggi affair which has had everyone making speculations as to how much will Erdogan take for hushing up the matter. Mohammed bin Salman had his pilot terrorists target a hospital in Yemen and then families running away from his bombs. And, news of the execution of unarmed Palestinian protestors by Zionist forces made the headlines as well.

All of the above plus coverage of Hurricane Michael could not divert attention from two women who also made the news. They are both best known for their positions on heritage and the oppressed of the world. One defended her heritage with everything dear to her heart and the other did everything she could to deny her own. One gave her three sons and a grandson to the cause of the oppressed while the other strives to have the children and grandchildren of the oppressed massacred.

The first is Aminah Salameh who is better known as Hajjeh EUm Imad Mughniyeh; she is identified as The Mother of Martyrs. A title well deserved because of the number of times she had to attend the funerals of her beloved children who achieved martyrdom in the course of defending their homeland against the invading Zionist terrorists and their Takfiri partners who attempted to break down the last Arab country standing against imperialism.

Hajjeh Um Imad waged war against evil by educating her sons about the necessity of loving their country as much as she loved them; and, a mother’s love is so immense that the greatest poets have not, yet, been able to describe it in words. That is how much her children loved their country.
She also raised them to be proud of their identity and to defend it vigorously; the identity that derives its roots from the teachings of Imam Hussein (AS) – protecting justice and defending those who are oppressed even when the enemy is superior in numbers and arms.

But that is not the only reason why she gained the title The Mother of Martyrs. People bestowed this honor on her for the role she had in motivating others. She never allowed the loss of her beloved children to break her down. That is because she did not see it as a loss. Every time the flag of her country soared higher into the sky because of the martyrdom of one of her sons, her pride grew.

In a culture where the woman is regarded as a leader, Hajjeh Em Imad carried the banner of our Lady Zeinab (AS) with all that it signifies, from strength to sacrifice to victory.

The other woman who made the news during the same time is Nimrata Randhawa, US Ambassador to the United Nations. People may know her better as Nikki Haley.  She announced her resignation this week.

Independent news outlets are still trying to pinpoint the real reason for the decision, but talk of a corruption scandal has begun circulating. Other analysts speak of a higher role being assigned to her in the Zionist deep state that comes as a token of appreciation for her shameless public support of killing Arabs where possible. She would be prepared to win the US presidential elections of 2024 and the American public would be prepared for “Israel’s” flag to fly over the White House instead of the Star-Spangled Banner.

A lot of women choose to keep their maiden names after marriage, but Nimrata did not only drop it, she dropped the first name her parents gave her as well. She changed it to Nikki in an attempt to delete everything that links her to her real heritage. How can a person who denies her own identity be expected to uphold the identity of her country? Perhaps, that is why she is dubbed “Israel’s” Ambassador to the UN instead of the ambassador of the country paying her salary.

The two women are, indeed, at opposite ends of the ethical spectrum.

As much as it saddens the heart to see Hajjeh Um Imad leave us, something very comforting could not escape the eye when watching the coverage of her farewell proceedings. The sheer number of women, young and old, participating and paying tribute to The Mother of Martyrs can only assure us that her legacy of raising patriotic heroes will go on.

She is now with Jihad, Fouad, Imad, and young Jihad, telling them how proud she is of them and ensuring them that with so many mothers raising children like she has, victory is certain for the oppressed.

Source: Al-Ahed News

EU DECLARES ITSELF “CULTURAL SUPERPOWER” AS MIGRANT CRISIS DEVELOPS

 South Front

11.10.2018

EU Declares Itself "Cultural Superpower" As Migrant Crisis Develops

On October 9th, EU High Representative for Foreign Affairs and Vice-President Federica Mogherini said that the EU is a “cultural superpower,” at the opening of the Frankfurt Book Fair.

“Culture is an integral part of our European foreign policy. We are by definition, as Europeans, a soft power. And even now that we are investing more than ever in developing our hard power – that sometimes is needed — our European Defense, our strategic autonomy that sometimes might be needed we continue to be a cultural superpower. Let me say, the cultural superpower in the world,” Mogherini said.

She furthermore stressed on the importance of cultural diplomacy and that Europeans have always understood the force of international cultural relations – for the economy and for international relations. “And now, with our European Strategy on Culture in External Action, the same is finally true also for the European Union as such,” she said.

The EU strategy she mentioned aims at “encouraging cultural cooperation between the EU and its partner countries and promoting a global order based on peace, the rule of law, freedom of expression, mutual understanding and respect for fundamental values.”

She also said that it is not the goal to replace national cultural diplomacy, but to empower it, joining forces at a European level. She also claimed that in the past years the EU has shown “the power of culture for peace, security and economic development.”

She also emphasized on the importance of education. “Education scares terrorists. Education scares terrorists. Why? Because it empowers people. Because it is the most powerful instrument a person can have to change her own life, her own community,” she said.

Mogherini also highlighted the necessity of intervention wherever and whenever culture is attacked and threatened and that Europeans value diversity.

“So for us Europeans, who base our identity on our culture – a culture that values diversity – it is only natural to intervene whenever and wherever we see that culture is attacked. We intervene to de-mine the University of Mosul; to restore the Timbuktu manuscripts; and to preserve the memory of destroyed heritage through the most advanced technologies at our disposal and to protect writers and journalists under attack everywhere in the world,” she proclaimed.

This is of significance, because of the EU’s obvious failures in integrating the immigrant waves that are swarming the bloc. Since 2014 more than 1.8 million refugees have arrived in Europe. More than 1 million of them in 2015 alone.

The large influx has triggered social and political instability within the bloc. Welfare systems are showing inability to cope with the migrants. There is also an increase in crime, which could be related to the migrants, however there is no conclusive data to say that the migrants are the reason. Despite that, right-wing populism is on the rise in Europe.

Related News

 

Freedom and Other Illusions: Excursions into what used to be called “high versus low culture”

October 11, 2018

 

Freedom and Other Illusions – Excursions into what used to be called “high versus low culture”
(or, illusions concerning American art) With a view of art as revolt / counter-revolt / et cetera

by David A. Powell for The Saker Blog

Part 2 of 3 parts

“The counter concept to popular culture is art. Today artistic products are losing the character of spontaneity more and more and are being replaced by the phenomena of popular culture, which are nothing but a manipulated reproduction of reality as it is; and in doing so, popular culture sanctions and glorifies whatever it finds worth echoing. Schopenhauer remarked that music is ‘the world once more.’ This philosophic aphorism throws light on the unbridgeable difference between art and popular culture: it is the difference between an increase in insight through a medium possessing self-sustaining means and mere repetition of given facts with the use of borrowed tools.”

(From: Leo Löwenthal, “Historical Perspectives of Popular Culture”; Originally published in the American Journal of Sociology, Vol. 55, 1950; From Mass Culture – The Popular Arts in America, The Free Press: Glencoe, Illinois, 1957; pp. 49-50.)

Effectively replaced by a continually evolving universal mass (popular) culture of epic, world-historical proportions, things like art, along with the quote-unquote humanities, went out the window ages ago … in spite of all the attention these “timeless” things now get in The Web; attention and “information” much of which terminates in the clouding and neutralization of the potentially liberating, critical and / or independent-thought-inducing aspect of its subject by remaining within the illusion that one is “free” to think whatever one pleases no matter what … that is, as long as one’s thoughts never depart from group-think conditioned reflexes such as the Facebook “like” imperative.

Yet, in a world in which ONLY “information” which can be exploited has a home, this “disappearance of art” I refer to amounts primarily to the predictably logical fate of whatever refuses, due to its own inviolable inner nature, the tyranny of being instrumentalized for whatever cause regardless – those consisting of personal and / or social, political / economic worldviews and thought fallacies … all contained within a neatly pre-digested, gift-wrapped mindset existing for the sole purpose of reinforcing our cultural illusions … another endless circle we apparently can’t ever get enough of buying / buying into.

One crucial thing, in any event, should be remembered: only art worthy of its name disappears rather than submit to any kind of ideological exploitation; while the kind of art which submits and cannot ever find enough ways to compromise with the social order it obediently serves – along with all the personal “likes” it endlessly caters to – only proliferates endlessly, as can be presently observed with unambiguous clarity (that is, if one cares enough to observe such things to begin with).

What I mean here with the phrase “art worthy of its name” is exemplified by what is historically understood as the Romantic movement, a highly complex artistic / literary / philosophical / scientific / social / political phenomenon originating and flourishing during the late 1700’s in Germany, England and France – and lasting until the years immediately before the First World War (while having had its wings prematurely clipped as a consequence of the cataclysmic revolutions occurring in 1848 and affecting over 50 European countries).

But nothing directly resembling the Romantic movement in 19th century Europe ever happened in America (outside of one short-lived interlude to be touched upon below). The mainstream of American art essentially never had a viable relation to something like the tremendous, elemental force informing European Romantic thought and art. Certainly, there were “hot-house” American Romantics and sympathetic followers among a number of American intellectuals and artists during the 19th century as well as later. Nevertheless, the all-embracing, supremely PASSIONATE REVOLT of European Romanticism – which had a profound and lasting impact on all areas of human art, thought and endeavor – all this has remained an essentially a foreign entity in America.

In fact, the terms Romantic / Romanticism eventually acquired the status of pejoratives in America within certain ideologically-motivated “art circles.” The most degrading insult or criticism that my university painting professor could produce was the charge of “Romanticism” or the label “Romantic” … and I even heard the colorful variation, “warmed-over Romanticism”. My painting professor, by the way, was someone I got to know personally far better than I care to contemplate, and was the Director of my school’s Painting Department. This was during the 1970’s … and none of my professor’s anti-Romatic prejudices came out of nowhere.

Did my Romanticism-hating painting professor also paint? He sure did … that is, in a diametrically opposed direction to my own painting, which my professor, being the consistent authoritarian that he was, literally ordered me to stop doing. And, like every authoritarian dictator, my professor had more than his share of loyal acolytes and henchmen: a small army of devoted student teaching assistants who relished their roles of being able to terrorize their fellow painting students using my professor’s ideology – which, naturally, they all devoutly believed and shared with my professor to the utmost fanatical degree. The Painting Department at my school, therefore, had far more in common with a small country under the control of a ruthless dictator than anything having remotely to do with art – let alone any kind of independent thought or “creative activity.”

Then, there were the student Art Discussion Seminars which my professor held in his home during which all art-and-culture-related issues were covered (but closely “moderated” under my professor’s vigilantly censorious eye). The gist of what I took away from these events, however, were my professor’s amateurish attempts in the direction of what he mistook for profoundly “progressive” attitudes concerning “art and culture” … and all of which turned out to bear an uncanny likeness (as I remember realizing at the time) to the “Artistic / Cultural Statements To The Nation” which had come from another “artistically-committed leader” by the name of Adolf Hitler … and to the following statement in particular, in which Hitler proclaims:

“The proof of the endowment of a true artist is always to be found in the fact that his work of art expresses the general will of a period.”

[“expresses” being Hitler’s “refined” way of saying: “unconditionally obeys – or else“]

(From: Adolf Hitler, “House of German Art Dedication Speech”, Munich, July 18, 1937. https://en.wikiquote.org/wiki/Art)

In “the eyes of the world,” (i.e, the myth-based worldview of American culture) my former professor is now remembered as having been entirely “successful” with his art and teaching career. His motto, which he delivered in his lectures with nothing short of missionary zeal amounted to the following: “Either one totally compromises with the ruling order or one fails miserably“; and which he liked to end with: “… and if you don’t believe me and go your own way, don’t ever come back and tell me that I didn’t warn you … so, get all of those Romantic Thoughts out of your heads!”

Therefore, it was only inevitable that my painting professor would eventually score a retrospective exhibition of his work in one of New York’s major art museums (one enjoying – then as now – universal world-wide fame). How do I know this? Because I was there – having unintentionally stumbled into the exhibition’s opening reception around a decade after my university days … you know, where everyone stands around with a drink in their hand … which included a face-to-face encounter with my former painting professor during which his nearby wife pointedly asked me: “Why don’t you congratulate [name withheld] on his exhibit?” (and I even remember feeling guilty for a couple of minutes after she completely nailed me with this question due to my shamelessly rude failure of not immediately clicking my heels and doing so … while my former professor and I only speechlessly stared at one another in total disbelief most likely because we’d been nothing outside complete pains in the ass for one another during my student days) … all occurring after I’d viewed a different exhibit in another part of the museum. But more concerning my former professor a bit later …

Of course, nothing of what I write here is intended as any sort of comprehensive account of American art as a whole – one including music, literature and visual arts, etc. But the following can, with certainty, be said of the historical origins of the American visual art scene (with specific applicability for its New York based capitol). Even though American visual artists studied extensively during the 19th century in various European academies (Europe being where first-rate art schools existed at the time in contrast to America), the work they produced upon returning home was completely tailored to fit the worldview cultivated by the elite financial class then spearheading America’s developing industrial capitalism. The identification of the American artist during this period with the members of a wealthy elite amounted, on one level, to the most expedient career move possible to insure the acquisition of maximum financial and social success within the anglo-American system (while the “have-nots” of American society were summarily regarded as low-class “losers”). Yet, in a far more important sense, this identification also firmly cemented the very notion and practice of art itself within the myth-based system of American culture as a whole – together with the ethos of a thoroughly capitalist worldview – which had already begun to assume the religious character it now possesses.

To make a very long story far shorter than it should be: within the visual arts in America, the only force to ever challenge the mythology which had already engulfed American culture was a counter-mythology pursued by the so-called “New York School of Painting” of the 1940’s–early 1960’s (a very loosely affiliated group of individual New York painters inaccurately described to this day as practitioners of the critically fabricated phenomenon now known as “Abstract Expressionism”).

But when I speak of a “counter-mythology” having been pursued by this loosely affiliated group (i.e., by a few of its members), I’m using a term employed in the writings of the painters themselves: what was called “a new myth” capable of effectively coping with the entirely New Reality which descended upon all of us along with the dropping of two atomic bombs on Japan (a New Reality which, at the time, was calculatedly brushed aside by both the majority of the American press and the political / intellectual power elite alike as being merely “a natural, inevitable consequence of scientific / technological progress”). The CIA’s ensuing, clandestine Cold War “weaponization” of the work of the members of the New York School of Painting during this period finally signaled, in a profoundly symbolic manner, the complete end of the only major art phenomenon in America to have ever approached the status of a neo-Romantic revolt … and fully consistent with my painting professor’s hatred of whatever he perceived as being even remotely “Romantic.”

In the words of Dwight Macdonald (appearing in Politics, September, 1945): “The Authorities have made valiant attempts to reduce the thing [the atomic bomb] to a human context, where such concepts as Justice, Reason, Progress could be employed.… The flimsiness of these justifications is apparent; any atrocious action, absolutely any one, could be excused on such grounds. For there is really only one possible answer to the problem posed by Dostoevski’s Grand Inquisitor: if all mankind could realize eternal and complete happiness by torturing to death a single child, would this act be morally justified?… From President Truman down, they emphasized that the Bomb has been produced in the normal, orderly course of scientific experiment, that it is thus simply the latest step in man’s long struggle to control the forces of nature, in a word that it is Progress.

The Bomb is the natural product of the kind of society we have created. It is as easy, normal and unforced an expression of the American Way of Life as electric ice-boxes, banana splits and hydromatic-drive automobiles.

Again, the effort to ‘humanize’ the Bomb by showing how it fits into our normal everyday life also cuts the other way: it reveals how inhuman our normal life has become.”

(From: Dwight Macdonald, “Memoirs of a Revolutionist” (Politics, September, 1945); quoted in: Serge Guilbaut, How New York Stole the Idea of Modern Art – Abstract Expressionism, Freedom and the Cold War, 1983. https://academic.oup.com/oaj/article-abstract/7/2/60/1417806); See also the 1974 article by Eva Cockcroft, “Abstract Expressionism, Weapon of the Cold War” https://scrapaduq.wordpress.com/2013/07/31/modern-art-was-cia-weapon/evacockroft/ )

Comment from Serge Guilbaut: “For Macdonald, the dehumanization of society that made it possible to produce a weapon as sophisticated as the atom bomb, that made it possible for 125,000 workers to participate in a project without knowing the purpose of what they were doing, was incomprehensible. Under such conditions, he maintained, the words ‘democracy,’ ‘freedom,’ ‘progress,’ and ‘science’ no longer meant anything.”

Aside from being overwhelmed by the description of our own hellish reality already laid out by Macdonald in 1945, I was unexpectedly struck by his reference to “hydromatic-drive automobiles” (along with the now quaint-sounding term, “electric ice boxes” which I still heard as a kid). But who in the world remembers such formerly state-of-the-art wheels employing “hydromatic-drive”? (probably not many outside antique car fanatics). More importantly, though, these now-aging critical barbs aimed at the convenience-and-progress obsessions of The American Way of Life alerted me to some very nearby passages from Malevich’s The World as Objectlessness (which would have bitten me, had they been snakes):

“Life as social relations, like a homeless tramp, enters every form of Art and makes it its living space. And convinced, on top of that, that it was the cause of the appearance of that form of Art. After a night’s sleep, it abandons the housing as an unneeded thing, and it turns out that after life empties Art, Art becomes more valuable, it is kept in museums not as an expedient thing but as objectless Art per se, for it had never come from expedient life.

Objectless Art stands without windows or doors, like a spiritual sensation that does not seek prosperity or expeditious things or trade profit of ideas – neither prosperity nor ‘promised lands.’

The art of Moses is the path whose goal is to lead us into the ‘promised land.’ Therefore, he is still building expeditious things and railroad tracks, because the people being led are tired of walking out of ‘Egypt.’ Humanity is already tired of riding in trains, it is learning to fly and will soon soar up, but the ‘promised land’ is not in sight.

That is the reason why Moses was never interested in Art and is not interested now, for most of all he wants to find the ‘promised land.’

Therefore he banishes abstract phenomena and confirms concrete ones. Therefore his life is not in the objectless spirit but only in mathematical calculations of profit. Hence Christ did not come to confirm the expeditious laws of Moses but to annul them, saying ‘The Kingdom of Heaven is within us.’ By this he said that there are no paths to promised lands, therefore there is no expeditious railroad, for no one can say that it is located here or some other place, therefore, no one can lay a road to it. Millennia have passed in mankind’s travel, but there is no ‘promised land.’

Despite this historical experience of trying to find the true road to the promised land and attempts to make an expedient object, society is still trying to find it, straining their muscles ever harder, hammering the blade and trying to break through all obstacles, but the blade merely slipped in the air, since there were no obstacles in the space, merely the hallucinations of the imagination.

The historical path shows us that only Art can make phenomena that remain absolute and constant. Everything vanishes and only monuments live for the ages. […]

Up to this point, life developed from two points of view of goodness: the first is material, the grub-economical, and the second is religious; there should have been a third – the point of view of Art, but it was regarded by the other two as an applied phenomenon, whose forms come from the first two. Economic life was not examined from the point of view of Art, because Art was not yet the sun in whose warmth the tavern grub life would flourish.

In fact, Art plays an enormous role in the construction of life and leaves exclusively beautiful forms for millennia. Art has the capability, the technique, which people cannot achieve in a purely material road in the search for the prosperous land. […]

People of the most utilitarian outlook still see the apotheosis of the day in Art – of course, the apotheosis for them is ‘Ivan Petrovich’, [i.e., a representational image / portrait of “John Everyman”] the face embodying life, but still, with the help of Art, that face became the apotheosis. Thus, pure Art is still covered by the face/mask of life, and therefore the form of life that could be unfolded from the point of view of art is not visible.

You would think that the entire mechanical utilitarian world should have a single goal – to free up time for man’s main life: making Art ‘per se,’ to limit the sense of hunger in favor of the sense of Art.

The developing tendency to build task-oriented and expeditious things that try to overcome the sensation of Art should take note of the fact that basically there are no things in the purely utilitarian form, more than ninety-five percent of things come of the plastic sensation.

There is no need to seek convenient and expedient things, for historical experience shows that people were never able to make such things: everything collected now in museums will prove that not a single thing is convenient or achieves its goal. Otherwise, it would not be in museums, so if it once seemed convenient, it only seemed so, and this is now proven by the fact that collected works are inconvenient in daily life, and our contemporary ‘expedient things’ only seem that way, tomorrow will prove that they could not have been convenient. Everything made by Art, however, is beautiful and that will be confirmed by the future: therefore, we only have Art.”

(From: Kazimir Malevich, The World as Objectlessness; Kunstmuseum Basil, 2014, p. 193.)

In ending this second part, however, I have to admit something. My inclusion of the above passages from Malevich was not only because a line about hydromatic-drive autos reminded me of the technological mind-set discussed by Malevich – one which only advances with ever more break-neck speed as I write this.

I have also included the above passages from Malevich as a demonstration of the fact that there exist vitally important things which do not to amount to what is consumed and desired above all else now: mere “information” to be absorbed at a glance only confirming largely what we already believe in; what we have already concluded that we “know”; something only to be “understood” to the extent that it conforms itself according to whatever our “current understanding” of the world happens to be in the present.

Instead of what one usually gets when one tunes into the usual “information / disinformation source” of one’s choice, Malevich gives us real thoughts in rather sharp contrast to “real” news along with the “fake” variety; thoughts which are highly independent of how the majority – regardless of whatever individual political orientation – thinks and acts in our present. In short, Malevich’s thoughts are totally free from a uniform absence of thought which now only grows by the minute in spite of how “well-meaning” and sincere (or totally mistaken) this conformity doubtless remains. Consequently, what Malevich writes above requires nothing short of a reciprocal thought-effort in return – that is, in distinction to what the choir long already knows by heart and can effortlessly sing in its sleep … along with as much time as it takes to grasp the full meaning conveyed by Malevich … together with adequate patience and perhaps some courage … but with more than anything else, an open mind.

Finally, these thoughts from Malevich are in no way “out-of-date.” To the contrary – while there is nothing really “utopian” in them – they belong among the thoughts which can be said to exist largely in a future tense … that is, if the present can somehow be overcome and relegated once and for all to a dead past having only to do with ignorance, destruction and self-limitation; a present now wearing the highly deceptive mask of “progress”; an emblem only amounting to the perpetual, exclusively fear-motivated idolatry of “results that count” … one only propelling us into a more primitive past tense than can be presently imagined by our group-think instincts, reflexes, and Material Purposes.
——-
About the author: David A. Powell is an American artist living in Germany since 1990. In addition to having a lifelong, ongoing involvement and fascination with the most radically unpopular ideas and concepts capable of being imagined by anyone, he has a degree in art history and literature and – along a number of other occupations and activities throughout his life – has also exhibited his paintings (in Germany, at least).

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