The Zionist Hate Campaign Against David Icke

November 18, 2017  /  Gilad Atzmon

Campaign Against Antisemitism was desperate to cancel David Icke’s talk in Manchester last night.  Labour MP, Kate Green, worked hard on behalf of the Lobby. They all failed,  Icke’s talk, so i hear, was a great success. I looked into the ‘evidence’ levelled against Icke by the Zionist hate groups. There is nothing there as I prove in the following video..

https://youtu.be/HLKCrVrT88w

cover bit small.jpg

 If they want to burn it, you want to read it!

Being in Time – A Post Political Manifesto, Amazon.co.uk , Amazon.com and  here (gilad.co.uk).

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Stop Everything and Watch This: David Icke on Free Speech Destroyers

August 24, 2017  /  Gilad Atzmon

In the most calm and scholarly manner David Icke delves into the meaning of censorship, the reasoning behind it and who drives this dark force.

https://www.youtube.com/watch?v=IRxjUpktyMs

First Violent Attack Against Jazz Audience

August 07, 2017  /  Gilad Atzmon

Drummer Will McClure (73) who attended my concert last night was subject to an attack outside my concert by some anti Atzmon hooligans. He was injured in his eye and suffered a shock.

A week ago, Oxford Albion Beatnik Book Shop that hosted my concert received a threatening letter from Stephen Silverman (CAA). Silverman hinted that something may happen unless the club surrendered to his demand and cancelled the concert.  Tonight we saw the first violent attack against Jazz audience. Will was bleeding from his eye for an hour.

We had a packed room in Oxford, I can assure you, they were not impressed.  Brits do not like to see their little cosy Oxford turning into a battle zone. If the CAA is genuinely concerned with antisemitsm it better go out of its way to make sure that such an event never occurs because as things stand, the Campaign Against Antisemitsm (CAA) together with other Jewish organisations such as Jewdas are introducing violence and hooliganism to British arts scene. This is unacceptable and it won’t be tolerated!

I should mention that the Jewish members of the audience were devastated and embarrassed by it all, They insisted to disassociate themselves from this unfortunate event.

The police are involved

Update: July 7 10 AM GMT. Will couldn’t open his eyes this morning.. He is now back in hospital

The following message was left by Will’s wife on my FB page; 

Ann Saxton Mac I hope the person responsible for throwing the egg tonight that was obviously intended for Gilad Atzmon reads this. You see I am the wife of the person you assaulted with the egg. We are not from this country but here on holiday from New Zealand. We first met Gilad 17 years ago when we attended a concert in London & over the years whenever we have traveled we have managed to catch Gilad performing in several different countries. My husband is 73 years old & also a musician. He did not deserve this attack & neither did Gilad or any other person.. The egg struck my husband in the eye. The egg shell shattered & penetrated his eye cutting the eye ball causing it to bleed. He eye sight is badly affected & there is great swelling to his eye socket & no doubt by morning it will be bruised & black & blue. However you will not get away with this the Police are now involved, Your car will be identified by CCTV footage & we will press for criminal charges to be laid & hold you financially responsible for all medical expenses & any physical or emotional damage caused by this random act of stupidity. What you did tonight was nothing short of cowardly behaviour & you should be thoroughly ashamed of what you have done & the harm you have caused my husband. I have been married to this lovely gentle man for 52 years & he really did not deserve this to happen to him. If you had the decency you would admit responsibility & apologize in person but from your behaviour tonight I doubt if you would have the guts to do so, Shame on you whoever you are I hope you are proud of your actions. If you were my son or daughter I know what I would do to you.

Denni Harrison is the owner of Albion Book Shop. He was subject to pressure by the CAA. The following message was left on my FB page:

Dennis Harrison I have hosted Gilad Atzmon perhaps 30 times in ten years, many venues, music and talk. Never ever any hint of problem from audience or any outside (never protesters). Only after receiving a letter from the ‘enforcement’ officer of the Campaign Against Antisemitism (CAA), who has an “understanding that protests… are likely,” do I have trouble. Silverman did not issue a threat, but I draw my own conclusions. The CAA is a sham charity with no conviction that seeks to get others to do its dirty work for them; it believes that “individuals should be at the forefront of the fight,” so should be held accountable for this serious and violent crime upon an innocent bystander.

Insight Vox: Gilad Atzmon and the attack on dissent (video)

August 03, 2017  /  Gilad Atzmon

Author and musician, Gilad Atzmon, has published several books on identity, politics and philosophy; most recently “Being in Time” which examines the post-political world.

He now faces a desperate attempt to destroy his musical career and take away his livelihood. In an extended interview we examine what he is saying that is “forbidden”, who seeks to silence him, how it is done and how we should respond.

Anonymous and unfounded charges of “holocaust denial”, “antisemitism” and of unspecified “hatred” are being used in these attacks. But never is evidence given, let alone tested. The allegations seem to have a power that does not require any underlying truth. How does rationality respond to such incantations?.

He is under attack for his ideas, but it is his music that is targeted, not the ideas themselves. Why should this be? Perhaps it is a simple and crude ploy to cripple him financially. But perhaps it is because in Atzmon, jazz remains a form of resistance. Beauty, spontaneity, grace and authenticity are the hallmarks of his music. Perhaps it is these qualities that his opponents cannot allow to exist.

Join Gilad Atzmon and David Scott as they explore the battle raging around “Being in Time”

Gilad Atzmon’s book Being In Time: A Post Political Manifesto is available now on: Amazon.co.ukAmazon.com and gilad.co.uk.   

Learn more on Jewdas: http://www.gilad.co.uk/writings/2016/2/2/jewdas-a-glimpse-into-jewish-left-duplicity

theduran.com: Gilad Atzmon on politics in music, Roger Waters, Palestine and humanitarianism

by Adam Garrie

http://theduran.com

Jazz musician, author and philosopher Gilad Atzmon spoke with The Duran about Roger Waters verses the Israel lobby, the place of politics in music, freedom versus dogma and Palestinian freedom in the 21st century.

Recently, Pink Floyd co-founder Roger Waters has been in the news, not for his North America musical tour but for his politics. As an outspoken supporter of Palestine, he has come up against the Israel lobby in many western countries.

Recently, various pro-Israel activists have financed the making of a film against Waters called Wish You Weren’t Here,a mockery of the Pink Floyd album and song Wish You Were Here.

Even among politically minded musicians, few talk about the Israel/Palestine issue. I recently spoke with acclaimed jazz musician, philosopher, social commentator and pro-Palestine thinker Gilad Atzmon about his reaction to the latest attempt to smear Roger Waters over his advocacy of Palestinian justice.

Adam Garrie: As someone who started life as a musician, I have a special affection for music and I would personally never judge my emotive experience at listening to a piece of music based on the politics of the composers and/or performers. At the same time, I am deeply political and am consequently always attentive when musicians decide to get political.

It is nothing new. From Beethoven’s 9th symphony, to Tchaikovsky’s 1812 overture and Strauss’s 4 Last Songs, musicians have always been immersed in world events. People look to the revolutionary attributes of jazz heroes like Charlie Parker, John Coltrane, Roland Kirk and Miles Davis to the folk, pop and rock music of Bob Dylan, John Lennon and Pink Floyd as a source of meaning that ties the political into the emotional and dare I say the spiritual also.

What do you think the connection is and ought to be between music and politics?

 Gilad Atzmon: To start with, although historically musicians and artist have been highly involved in politics, I am not so sure that this is the case anymore.  The culture industry has evolved into a subservient operation. First it reduced beauty into a commodity and  then utilized it as a propaganda tool. Our (music) festivals are funded by banks and politically oriented cultural institutes.

There is no doubt, for instance,  that Jazz, the voice of the oppressed, has lost touch with its original poignant revolutionary impetus. It has been mostly reduced into emotionless scholarly noise verging on academic masturbation.

While politicians operate within a giving symbolic order, artists question conventions and re-invent symbolism. At present, the domineering aspect of the industry reduces the artist into a propagator of accepted conventions utilizing acceptable symbolism. I rebel against all of it. I prefer to dig and to seek the truth, I don’t claim to know the truth but I love excavating.https://www.youtube.com/watch?v=vcYy1L67S-I

 AG: When it comes to the issue of Palestinian freedom and dignity, three people who can justifiably be called music legends stand out as  artists who have used both their music and their voices to speak out, there is yourself, Roger Waters (Pink Floyd) and Robert Wyatt (Soft Machine). Are these artists different than others who talk about political issues, people who tend to flirt with the establishment for example like Bono?

GA:  First, thank you for considering me a ‘legend.’ Supporting Palestine is no doubt a noble cause. Moreover, since the music industry is largely an extended Jewish syndicate, opposition to the Jewish State is a self-inflicted death sentence. As you would expect, not many reasonable people choose to sentence themselves to death.

Robert Wyatt has been supporting Palestine because he is the most authentic mench around. Waters performed in Israel a few years ago, he witnessed the oppression, he was moved by it. He joined the solidarity movement. My case is a bit different.

I was born in Israel. It took me many years to grasp that Israel was Palestine and I was living on someone else’s land. When I understood this, I immigrated to London where I found that Diaspora Jews who operate politically as Jews (Zionist as well as ‘anti’) are far more obnoxious and even dangerous than Israel is. The Lobby (AIPAC, LFI, CFI, CRIFF) dominates USA, UK and French foreign affairs. It pushes us into wars. Unfortunately,  a similar Jewish lobby dominates the Palestinian solidarity movement and has managed to reduce the Palestinian call for a ‘Right of Return’ into an internal Jewish debate about the ‘Right to BDS’ (Boycott, Divest & Sanction Israeli goods).  I started to ask myself questions relating to Jewish power and the Jewish past. I realised that Palestinians are just the Goyim du jour. If we want to help Palestine, we have to understand that by now we are all Palestinians.

Bono, is an interesting case. I would love to believe that he is a genuine and empathetic human being. But too often his activity somehow coincides with neocon interests, colonial imperialism and mammonism in general. Whether Bono is informed enough or not is beyond me. I have never looked into his case in a scholarly manner.

 

 AG: Have you ever personally feared that your musical career could be harmed because of your philosophical, sociological and political statements even though you’re an ardent advocate of peace and human dignity for all?

GA: Assaults against my artistic activity occur daily. Promoters and presenters of my work are subject to a constant barrage of pressure and even threats. Very rarely they succeed in having a gig of mine cancelled.

However, this is crucial. In Europe there are broad hate speech prohibitions. Despite the endless attempts to silence me, not once have I been questioned by a law enforcement body anywhere around the world about anything I said or wrote.

AG: Imagine you are the child in a secular Jewish/Zionist home. You like listening to Pink Floyd’s records as almost all young people have done since the 1960s. Your parents then tell you not to listen anymore because of Roger Waters’ views on Palestine. What might you feel? Would listening to Roger’s music become an act of youthful rebellion decades after The Dark Side of The Moon and The Wall were recorded?

GA: If Zionism was a promise to make Jews people like all other people, then stopping your children from listening to Pink Floyd guarantees that they won’t be people like other people.

AG: In addition to speaking out against Israel’s treatment of Palestinians, Roger Waters encourages all musicians to boycott Israel. What are your views on this and if you were invited to Israel to perform your music would you go? If you went would you feel that you would be at risk of violence due to your philosophy and statements?

GA: Yesterday in Prague I met two Israeli musicians who used to work with me in the 1980s. We ended up talking about Roger Waters. They weren’t politically oriented people however, they suggested that Waters is on shaky moral ground because Waters mounts pressure on artists to join BDS and boycott Israel. Let me shock you, I am also troubled by that. The fact that Palestinian solidarity activists can’t differentiate between a tomato and a poet or between an avocado and a historian troubles me.  I am an avid advocate of freedom of speech and expression. I want beauty and ideas to travel freely.

Every discourse is a set of boundaries.  I was invited last year to participate in the 30th Red Sea Festival. My personal boundary is that I will not visit the Jewish State or any other state that is set to serve the interest of one race. I vowed not to visit Israel unless it is a state of its citizens and by that I mean that it is Palestine from River to the Sea.

AG: Roger Waters often pens open letters to fellow artists. Here is your opportunity to do the same. What would you write to Roger?

GA:  Dear Roger:

As a hero of humanity and freedom who made the prospect of a bright future into a song, I urge you to distinguish between Athens and Jerusalem. Jerusalem is the city of revelation and commandments, it provides us with a set of laws that define right and wrong. Athens, on the other hand, is the symbol of philosophy, beauty, science and reason.  Activists belong to Jerusalem, philosophers are from Athens. You cannot fight Jerusalem while being a Jerusalemite. Athens is where you belong. Let’s enable people to think for themselves and learn to make ethical judgements. Let us choose Athens rather than setting a different tyranny of correctness.

AG: Roger Waters is now 73. His musical statement has been very much ingrained on the world and that won’t be taken away. If there was a young man of 17 with the musical talents of for example yourself or Roger and the political views of either yourself or Roger, would you advise them to hold their tongue for the sake of their career assuming you were asked with sincerity and respect?

GA: I guess that I pay a price for being outspoken, but I am very happy. I am a free agent. As I said above, I am not an activist, I don’t advise people what to do or what to say, I endeavor to help people form their own thoughts as they move along. The same rule applies to me, my thoughts are shaped and reshaped constantly. For me this is what Being in Time is all about.

 

AG: Gilad, you recently played on Pink Floyd’s ‘final’ record, The Endless River featuring the line-up of David Gilmour, Nick Mason with archived recordings from the late Richard Wright. If you are able to do so, can you disclose if your politics were discussed during the recording sessions given that the elephant in the room would have been the fact that your politics are most similar to the ex-Pink Floyd member Roger Waters who was not on that particular album?

GA: We didn’t touch upon politics, we were there for music. What fascinated me was that I initially experimented with my tenor sax. It wasn’t easy, I am not the ideal Pink Floyd saxophonist. Then I went into the control room and told David Gilmour and Phil Manzanera that in my mind, I  heard something completely different—a Turkish clarinet. I played one take, there was silence. David said that it was beautiful but totally foreign to Pink Floyd’s sound.  I agreed, he was correct. But I told him that this was what I heard. I didn’t think that my clarinet would make it into the Album, but it did. The explanation is simple: through art, beauty reveals  itself as an authenticity.

 

 AG: Do you think condemnation of artists like yourself, Roger Waters, Robert Wyatt and others from the Israel lobby has any negative effect on how your music is perceived and enjoyed? On the contrary does it have a positive effect or is it immaterial to most music lovers?

 GA: If anything, the attacks provide humanity with a glimpse into the vindictiveness that is unfortunately embedded in Jewish Identity politics, both Zionist and anti. My response; the more they attack, the faster and louder I play. Still, there is something I fail to understand. If the lobby is upset by my criticism of Jewish Identity politics, all they have to do is make sure that the saxophone is constantly shoved into my mouth. They should insure that I play 24/7, they should book my gigs rather than try to cancel them.

Gilad Atzmon’s book Being In Time: A Post Political Manifesto is available now on: Amazon.co.ukAmazon.com and gilad.co.uk.   

Athens versus Jerusalem-a book review by Taxi (Plato’s Guns)

June 24, 2017  /  Gilad Atzmon

GA: The following is an incredibly clever book review by one of my favourite political commentators. Taxi  sees in  Being in Time an expose of  the ‘Athens vs. Jerusalem struggle.’ Taxi is  absolutely right – this is a battle  for our survival. It is far from being an easy one, We are both infiltrated and run over.

PLATO’S GUNS

Athens versus Jerusalem

by Taxi

https://platosguns.com/2017/06/24/athens-versus-jerusalem/

A review of ‘Being in Time: A Post-Political Manifesto’ – by Gilad Atzmon/Skyscraper Publication

First, I must make stern objection to the subtitle of this book: “A Post-Political Manifesto“.  No, dearest reader, this is no manifesto at all.  A manifesto is usually instructive and Atzmon’s book is actually reflective.  A manifesto is imbibed with strict political dogma, whereas Atzmon’s book is charged with a free-flowing, philosophical energy.  The book is, in fact, an astute and remarkable comment on the metaphysics of our current political condition: using the age-old blueprint of Athens versus Jerusalem to unravel the dark and twisted marvels of our current political dystopia.

For over two thousand years, a war between rationalist Athens and messianic Jerusalem has ensued, but not to clear conclusion.  For several millennia, this epic war has vacillated and the victor’s scales have tipped hither in one era and dither in another.  The war between Athens and Jerusalem continues relentlessly into our present day, and this side of the 21st century, it is cultural philosopher and Jazz artist, Gilad Atzmon, who now updates us on this epic and raging battle where each side is struggling to occupy the very perception of humanity itself.  Both sides claim to be the saviors of mankind; and currently, the Jerusalem school of thought is leading, but only because its agents have successfully infiltrated to the core, the elite leadership and governments of the Western world.

 

Simultaneously, Athens is presently having its victories too, as evidenced by the growing popularity of Atzmon’s elegant Athenian book – a rare publishing phenomenon in itself indeed, indicating a growing market hungry for Athenian thought.  Moreover, this current Athenian awakening can also be measured by recent polls, and by the palpable bulging of an eclectic population on Social Media, unified in expressing its disgust, distrust and utter rejection of Jerusalemite rule.  You could say that the various chattering masses are currently seeking the humanism and order that Athens promises because they are so very dissatisfied and disillusioned by what Jerusalem has delivered them: division, intolerance, senseless wars and hopeless human misery with no end.

One observes that since the controversial establishment of the State of Israel, the Jerusalem school has had an accelerated progress.  Inside of 70 years, Jerusalemites, with feverish dedication have successfully installed their peculiar brand of anarchy through the aggressive spread of divisive Identitarian Politics, tyrannical Political Correctness, ruinous Predatory Economics, vampirical Controlled Opposition, as well as a most lethal form of warmongering Jewish Power – all simultaneously and insidiously injected into Western societies.  Jerusalem has evidently delivered us nothing but endless warfare overseas and palpable instability and dystopia in our Western societies.  It has brought us a non-humanistic world.  It has given us a lowering of citizen morale and an increase in barbaric immorality where might over right is normalized.  Jerusalem has steeped us in an absurd environment where decadent perversions are permitted, but freedom of speech is curtailed.  A world where freedom of thought is punished instead of promoted.

In the philosophical arena, Athens represents Truth and Jerusalem: the Dream.  Both appeal to the human condition but clearly, one is more grounded in reality than the other.  Today we witness how Jerusalem’s promised Dream (of the messiah) has delivered us a convoluted and godless nightmare.  It is the very sinews of this nightmare that Being In Time so meticulously and courageously explores, illuminating and dissecting the elite powers that be and the diabolical machinations behind our current socio-political catastrophe.

Atzmon’s book takes us on a most unique philosophical journey, deconstructing this ongoing nightmare with fascinating insight and intellectual rectitude and rigor.  His gripping chapters are impressively substantive: dissecting each of Jerusalem’s current Jew-centric poison tentacles with astounding clarity and moral cognizance.  Making sense of the maddening world we live in is what Atzmon’s book so assuredly delivers.  His thoughtful deliberations on Identity Politics and other Jerusalemite maladies are stunningly profound in their clarity and logic: simple, indisputable logic.  No other contemporary philosopher or political writer has ever so successfully exposed the most vital of Jerusalem’s grotesque operators: their uniquely deceptive Controlled Opposition agents.  For this alone, Atzmon’s book must be read.  All efforts at liberation from Jerusalem are lost without knowledge and understanding of the duplicitous nature and aims of Jerusalem’s Controlled Opposition.  Without the skulduggery of the Controlled Opposition, Jerusalem cannot advance from within; cannot lasso the support of the blindsided masses.  Controlled Opposition IS the enemy within, the most dangerous of all enemies.  Atzmon exposes the very character and workings of these Controlled Opposition agents: using insider knowledge, facts, and a sprinkle of his own brand of wry wit.

Truly, there are too many important chapters in Atzmon’s book to break down here one by one, but I sincerely urge people seeking a humanistic and truth-based world to read this incredible book: an important document on the contemporary moralities of our current political zeitgeist; a book written by a devout Athenian philosopher glued to the mathematics of reality and to the stellar principles of humanism.

And with such rich knowledge in hand, can change be that far behind?

 Gilad’s Being in Time can be ordered on Amazon.co.uk  & Amazon.com  and on Gilad’s site  here.

Who is afraid of Gilad Atzmon?

June 12, 2017  /  Gilad Atzmon

Adam Garrie is one of the most sophisticated scholarly minds around. We discussed censorship, identity politics, social cohesion, Left tyranny,  the crisis of the post-modern west. We tried to figure out what being in time  is all about. If you want to see me challenged, here is your opportunity…

https://youtu.be/mmL-f020mlY

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